The Father of Modern Bodybuilding
DalmasVektaz
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Eugen Sandow (April 2, 1867 – October 14, 1925), born Friedrich Wilhelm Müller, was a Prussian pioneering bodybuilder known as the "father of modern bodybuilding".
Sandow was born in Königsberg, Prussia on April 2, 1867. He left Prussia in 1885 to avoid military service and in 1889 he made his first appearance on the London stage. Florenz Ziegfeld knew that Maurice Grau had Sandow under a contract. Ziegfeld wanted to display Sandow at the 1893 World's Columbian Exposition in Chicago. Grau wanted $1,000 a week. Ziegfeld could not guarantee $1,000 a week but agreed to paying 10 per cent of the gross receipts.
Ziegfeld found that the audience was more fascinated by Sandow's bulging muscles than by the amount of weight he was lifting, so Ziegfeld had Sandow perform poses which he dubbed "muscle display performances"... and the legendary strongman added these displays in addition to performing his feats of strength with barbells. He added chain-around-the-chest breaking and other colorful displays to Sandow's routine. Sandow quickly became Ziegfeld's first star.
In 1894, Sandow featured in a short film by the Edison Studios. The film was of only part of the show and features him flexing his muscles rather than performing any feats of physical strength. While the content of the film reflects the audience attention being primarily focused on his appearance it made use of the unique capacities of the new medium. Film theorists have attributed the appeal being the striking image of a detailed image moving in synchrony, much like the example of the Lumière brothers' Repas de bébé where audiences were reportedly more impressed by the movement of trees swaying in the background than the events taking place in the foreground. In 1894, he appeared in a short Kinetoscope film that was part of the first commercial motion picture exhibition in history.
Sandow was born in Königsberg, Prussia on April 2, 1867. He left Prussia in 1885 to avoid military service and in 1889 he made his first appearance on the London stage. Florenz Ziegfeld knew that Maurice Grau had Sandow under a contract. Ziegfeld wanted to display Sandow at the 1893 World's Columbian Exposition in Chicago. Grau wanted $1,000 a week. Ziegfeld could not guarantee $1,000 a week but agreed to paying 10 per cent of the gross receipts.
Ziegfeld found that the audience was more fascinated by Sandow's bulging muscles than by the amount of weight he was lifting, so Ziegfeld had Sandow perform poses which he dubbed "muscle display performances"... and the legendary strongman added these displays in addition to performing his feats of strength with barbells. He added chain-around-the-chest breaking and other colorful displays to Sandow's routine. Sandow quickly became Ziegfeld's first star.
In 1894, Sandow featured in a short film by the Edison Studios. The film was of only part of the show and features him flexing his muscles rather than performing any feats of physical strength. While the content of the film reflects the audience attention being primarily focused on his appearance it made use of the unique capacities of the new medium. Film theorists have attributed the appeal being the striking image of a detailed image moving in synchrony, much like the example of the Lumière brothers' Repas de bébé where audiences were reportedly more impressed by the movement of trees swaying in the background than the events taking place in the foreground. In 1894, he appeared in a short Kinetoscope film that was part of the first commercial motion picture exhibition in history.
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